Analysis of the variation and different linguistic registers that influence the language of the media.-Description and analysis of the agents who intervene in the language of the media (academies, grammarians, style guides, journalists, etc),and of the implicit or explicit argumentation that they prostrate.-Analysis of the processes of production, transmission and reception of information.-Description, analysis and interpretation of the main textual models linked to the different informative, interpretative and opinion genres.
|
OPoptional |
12.00 |
A |
Aannual |
-Analysis of the variation and different linguistic registers that influence the language of the media.-Description and analysis of the agents who intervene in the language of the media (academies, grammarians, style guides, journalists, etc),and of the implicit or explicit argumentation that they prostrate.-Analysis of the processes of production, transmission and reception of information.-Description, analysis and interpretation of the main textual models linked to the different informative, interpretative and opinion genres.
|
OPoptional |
12.00 |
A |
Aannual |
Discover the technological advances that have emerged over the course of history which have contributed to the current configuration of the Audiovisual Media.-Description of the main debates about the transformations of audiovisual culture in contemporary society, focusing on the new paths that are opening up with the interrelation between image and computers. Learn about image devices and establish the different between analogue, electronic and digital devices.Placing each one of them in a specific place in the audiovisual world.-View some works that are representative of current production analysing the borders between documentary creation, fiction and experimental avant garde. Discover and learn how to use the elements that comprise audiovisual language such as still images,moving images and sound recording processes.
|
OPoptional |
12.00 |
A |
Aannual |
Discover the technological advances that have emerged over the course of history which have contributed to the current configuration of the Audiovisual Media.- Description of the main debates on transformations in audiovisual culture in contemporary society, focusing on the new paths opening up with the interrelationship between the image and computers.-Learn about image devices and establish the difference between analogue, electronic and digital devices.Placing each one of them in a specific place in the audiovisual world.-View some works that are representative of current production analysing the borders between documentary creation, fiction and experimental avant garde. Discover and learn how to use the elements that comprise audiovisual language such as still images,moving images and sound recording processes.
|
OPoptional |
12.00 |
A |
Aannual |
Identification of different forms of cultural management, looking at examples of how they are applied in the public and private sphere, and analysis of their impact on the production, dissemination and reception of culture in the contemporary world.- Description and differentiation of gender studies and analysis of its influence in a reinterpretation of the cultural legacy aimed at re-evaluating the contribution of women and at reconsidering culture and art as forms of transmitting the social construct of identity.- Analysis and interpretation of the contemporary world based on references and keys provided by History.- Description and interpretation of the evolution of contemporary societies observing the homogenisation resulting from globalisation but also the affirmation and preservation of distinct cultural identities.
|
OPoptional |
12.00 |
A |
Aannual |
Identification of different forms of cultural management, looking at examples of how they are applied in the public and private sphere, and analysis of their impact on the production, dissemination and reception of culture in the contemporary world.- Description and differentiation of gender studies and analysis of its influence in a reinterpretation of the cultural legacy aimed at re-evaluating the contribution of women and at reconsidering culture and art as forms of transmitting the social construct of identity.- Analysis and interpretation of the contemporary world based on references and keys provided by History.- Description and interpretation of the evolution of contemporary societies observing the homogenisation resulting from globalisation but also the affirmation and preservation of distinct cultural identities.
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
-Description of the theoretical and methodological foundations of the critical analysis of discourse -Description and analysis of the main methodologies of analysis of discourse (pragmatic, iconic, ideological, critical, cultural).-Description and analysis of the systems for receiving culture in different sociological areas.-Description, analysis and interpretation of the production and reception of the different communicative languages.-Analysis of the function and the ethical sense of journalism and communication professionals in the contemporary world.
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
-Description of the theoretical and methodological foundations of critical speech analysis.-Description and analysis of the main speech analysis methods (pragmatic, iconic, ideological, cultural criticism).-Description and analysis of systems of cultural reception in different sociological areas.-Description, analysis and interpretation of the production and reception of different communicative languages.-Analysis of the function and ethical sense of journalism and communication professionals in the modern world.
|
OPoptional |
6.00 |
A |
Aannual |
- Analysing the study of the contemporary world from an interdisciplinary perspective of the Humanities.- Presenting and analysing the main informative debates that govern the present and train in own criterion.- Offering specific knowledge relating to contemporary theory and thinking.
|
OPoptional |
12.00 |
A |
Aannual |
- Knowing the different techniques of textual and audiovisual editing on different media and applying them in an adjusted way.- Relating literary stories with audiovisual stories.- Relating images, written text and sounds in a multimedia discourse.-Knowing the elements involved in the manipulation of images, especially the effects of assembly and post-production.-Analysing the internal temporality of written and cinematographic stories, strategies of credibility for the construction of fictions.
|
OPoptional |
12.00 |
A |
1first semester |
This module is designed for students to explore different areas of cultural studies offered by the Faculty of Arts.Students of the bachelor's degree in Cultural Communication choose two optional seminars worth 12 credits from those offered by the different degrees in the Faculty of Arts.Graduates in Cultural Communication are thus able to receive more intense and diversified cultural training, since each student will be able to decide which type of humanistic and cultural content defines this module.
|
OPoptional |
12.00 |
A |
1first semester |
This module is designed for students to explore different areas of cultural studies offered by the Faculty of Arts.Students of the bachelor's degree in Cultural Communication choose two optional seminars worth 12 credits from those offered by the different degrees in the Faculty of Arts.Graduates in Cultural Communication are thus able to receive more intense and diversified cultural training, since each student will be able to decide which type of humanistic and cultural content defines this module.
|
OPoptional |
12.00 |
A |
1first semester |
The main objective of the subject is to describe the evolution, the theoretical foundations and the practical instruments that the management of natural spaces is based on.Firstly, the evolution of the legislative and conceptual framework that forms the basis of management of protected natural spaces is studied.Secondly, the instruments used for its management are introduced and the different sector plans (public use, fauna, forests, agriculture and stockbreeding...) are set forth.Finally, the policies of connectivity among natural spaces and the possibilities of evaluating them, individually as well as in the case of networks of natural spaces, are studied.CONTENT: Origin and evolution of protected natural spaces.Figures of protection of natural spaces.Planning and management instruments.Planning and management of natural resources.Planning and management of public use.Private foundations and the management of natural spaces.Ecological networks: connectivity between natural spaces.Evaluating natural spaces and networks of natural spaces.The future of protected natural spaces.
|
OPoptional |
6.00 |
A |
Aannual |
Analysis of the human and social factors that explain human exposure and vulnerability to environmental risks and the different management methods developed in response.1.Classifications and measures of environmental risk.Risk and uncertainty.Vulnerability to risk.2.Analysis of scientific and professional approaches to studying environmental risks.3.Environmental risks and regional planning.4.Management of natural risks: floods, droughts.5.Planning and management of technological risks.6.Mapping risks.7.Planning for emergencies.
|
OPoptional |
6.00 |
A |
1first semester |
The aim of this subject is to deepen theoretical and applied knowledge of the concept of landscape.During the subject, both physical and cultural methods are presented and used to analyse the landscape in two well differentiated geographical contexts.At the end of the year, students should have improved knowledge of the complexity inherent to the concept of landscape and be better able to interpret landscapes.Likewise, this subject allows students to learn to work in multinational study groups.This subject is completed intensively over two weeks that share a similar model of content and activities.CONTENT: Presenting the characteristics and dynamics of landscapes in the area of study.Methodological bases for the analysis and study of the landscape from landscape ecology and cultural geography.Fieldwork sessions: recognising on the terrain the characteristics and dynamics of the landscape.Tutored work in multinational groups on a specific case.Presentation and discussion of results.
|
OPoptional |
6.00 |
A |
1first semester |
Analysis of the territorial and environmental aspects of tourist activities, and their dynamics.With a particular focus on the processes of territorial transformation and the environmental impact generated by tourism.
|
OPoptional |
6.00 |
A |
Aannual |
The subject offers a reflection on the current world, from a regional perspective, based fundamentally on the description of the great socio-economic and environmental groups.It also offers an approach to geopolitics, social relations, different cultures and religions, all aimed at greater understanding of the current world.Syllabus: 1.The great sociocultural groups.2.The western world: Europe, Russia and North America3.Pacific, southern and western Asia.4.Central Asia and Transcaucasia.5.Arab world, Middle and Near East.6.Sub-Saharan Africa.6.Latin America.7.Connections and borders.
|
OPoptional |
6.00 |
A |
Aannual |
Historical introduction to the main authors of the first stages of ancient philosophy with explicit consideration of the problem with the sources: 1.Study of the historical and historiographic contextualisation of the main authors and doctrines of these stages.2.Systematic approach to the main problems covered in the various philosophical trends of the period.3.Introduction to the work of the main authors.
|
OPoptional |
6.00 |
A |
1first semester |
Historical introduction to the main authors of the following period of ancient philosophy with explicit consideration of the problem with the sources: 1.Study of the historical and historiographic contextualisation of the main authors and doctrines of this period.2.Systematic approach to the main problems covered in the various philosophical trends of the period.3.Introduction to the work of the main authors.
|
OPoptional |
6.00 |
A |
2second semester |
Study of the work of the main philosophers of the mediaeval period: 1.Problemes specific to the study of the History of the mediaeval Philosophy.2.Diachronic approach to the thought of the Age Half.3.Introduction to the work of the main authors.4.Reading and comment of works of some mediaeval thinkers.
|
OPoptional |
6.00 |
A |
1first semester |
Study of the work of the main philosophers of the modern period.1.General methodological considerations about the history of the philosophy and specific about the history of the modern philosophy.2.Diachronic approach to the thought of the modern age.3.Introduction to the work of the main authors.4.Reading and comment of works of some thinkers of the period.
|
OPoptional |
6.00 |
A |
1first semester |
Study of the work of the main philosophers of the modern period.1.General methodological considerations about the history of the philosophy and specific about the history of the modern philosophy.2.Diachronic approach to the thought of the modern age.3.Introduction to the work of the main authors.4.Reading and comment of works of some thinkers of the period.
|
OPoptional |
6.00 |
A |
2second semester |
Historical introduction to the principal currents of contemporary philosophy and the main contemporary debates related to them.1.Historical study of the main authors and doctrines of contemporary philosophy.2.Systematic approach to the main problems addressed in the various currents of the philosophy of the period.3.Introduction to the work of the main authors.
|
OPoptional |
6.00 |
A |
1first semester |
Analysis of some of the main trends in philosophy today.1.Current controversies of the philosophy of the 20th century.2.Trends of the philosophy of the 21st century.
|
OPoptional |
6.00 |
A |
1first semester |
Systematic analysis of the conceptualisations of the real in its transcendental and categorical structure, as well as the problem of the sense and its various ways of realisation.1.About what there is.Universals, properties and individuals.The problem of the intensional realities.2.Cause and effect.The problem of the freedom of the will.3.The nature of the time and of the space.4.The mental one and the physicist.The problem of its nature and interrelation.5.Identity and personal identity.6.The metaphysical realism: essentialist realism and scientific realism.7.Anti-realism, irrealism and idealism.8.Reality and appearance.9.Reality, Need, Possibility.10.The problem of the sense of reality.Is nothing possible?
|
OPoptional |
6.00 |
A |
2second semester |
Systematic analysis of the conceptualisations of the real in its transcendental and categorical structure, as well as the problem of the sense and its various ways of realisation.1.About what there is.Universals, properties and individuals.The problem of the intensional realities.2.Cause and effect.The problem of the freedom of the will.3.The nature of the time and of the space.4.The mental one and the physicist.The problem of its nature and interrelation.5.Identity and personal identity.6.The metaphysical realism: essentialist realism and scientific realism.7.Anti-realism, irrealism and idealism.8.Reality and appearance.9.Reality, Need, Possibility.10.The problem of the sense of reality.Is nothing possible?
|
OPoptional |
6.00 |
A |
1first semester |
1.The classical causal conception of the knowledge.The doctrine of the eaistèmics mediators.2.The problem of the scepticism: local and general scepticism; the general scepticism about the perceptive beliefs; the suppositions of the skeptical argument.3.The tripartite analysis: the challenge of Gettier; counterfactic theories and scepticism; externisme of the justification and externisme of the contents.4.Theories about the perception: indirect realism; the distinction among primary and secondary properties; direct realism; the externisme about the perceptive contents.5.Self-knowledge: the classical doctrine of the introspection and the problem of the subject; introspection and intentionality: the asymmetry between the first and the third person; the criticism of Wittgenstein to the private language
|
OPoptional |
6.00 |
A |
2second semester |
1.Analysis of the scientific method of comparing and contrasting hypotheses.2.The problem of induction.3.The major scientific concepts: inherited concepts, historic concepts, semantic concepts.4.Causality and scientific laws.5.Main theories of scientific explanation.6.Brief discussion of the ethical implications of scientific and technological activity.
|
OPoptional |
6.00 |
A |
1first semester |
1.Basic notions of the theory of sets: pertinence, inclusion, basic operations with sets, properties of relations, relations of order and relations of equivalence.2.Syntax and semantics of the propositional logic.3.Syntax and semantics of the logic of first order.4.Inferential calculation in first order.5.Metalogical concepts: logical consequence, logical equivalence, correction and completeness of an inferential calculation.
|
OPoptional |
6.00 |
A |
1first semester |
1.Basic notions of the theory of sets: pertinence, inclusion, basic operations with sets, properties of relations, relations of order and relations of equivalence.2.Syntax and semantics of the propositional logic.3.Syntax and semantics of the logic of first order.4.Inferential calculation in first order.5.Metalogical concepts: logical consequence, logical equivalence, correction and completeness of an inferential calculation.
|
OPoptional |
6.00 |
A |
2second semester |
1.Basic notions of the philosophy of language: distinction type / copy; distinction use / mention of signs; sentence, terms, utterance, suggestion, value of the truth, conditions of truth; syntax, semantics and pragmatics.2.Frege’s philosophy of language.3.Russell’s theory of descriptions.3.The theory of direct reference: Kripke.4.The philosophy of language according to Wittgenstein.5.Quine’s philosophy of language.6.Austin’s theory of speech acts.7.Grice’s semantics.
|
OPoptional |
6.00 |
A |
1first semester |
1.Basic notions of the philosophy of language: distinction type / copy; distinction use / mention of signs; sentence, terms, utterance, suggestion, value of the truth, conditions of truth; syntax, semantics and pragmatics.2.Frege’s philosophy of language.3.Russell’s theory of descriptions.3.The theory of direct reference: Kripke.4.The philosophy of language according to Wittgenstein.5.Quine’s philosophy of language.6.Austin’s theory of speech acts.7.Grice’s semantics.
|
OPoptional |
6.00 |
A |
2second semester |
Study of the work of the main classical authors of ethics and introduction to the main current debates.1.Introduction to the main contemporary ethical and meta-ethical problems: relativism, naturalism, determinism, scepticism.2.Approach to problems of forming morality.3.Approach to the question and uses of moral language.4.The limits of ethics: from the philosophy of suspicion and to scientism.
|
OPoptional |
6.00 |
A |
2second semester |
Study of the work of the main classic authors of political philosophy and introduction to the main current debates.1.Introduction to political philosophy2.Political duty and democratic legitimacy.3.Introduction to the concepts of freedom, equality, tolerance and to the main recent debates about such concepts.4 Introduction to the concept of distributive justice and to the main contemporary theories of justice.
|
OPoptional |
6.00 |
A |
1first semester |
1.Introduction to modern and contemporary ideologies.2.Introduction to liberalism (or liberalisms) and its critics (conservatism, communitarianism, republicanism, totalitarianism).3.Introduction to the problems of nationalism.4.The process of globalization and international justice and cosmopolitanism.5.Other contemporary subjects of political philosophy.
|
OPoptional |
6.00 |
A |
2second semester |
1.General historical study of the main authors and doctrines of aesthetic thought.2.Study of the main authors and classic doctrines of the philosophy of art and the theory of beauty.3.Systematic approach to the main problems of aesthetics.4.Introduction to the work of the main authors of contemporary aesthetics.
|
OPoptional |
6.00 |
A |
1first semester |
1.General historical study of the main authors and doctrines of aesthetic thought.2.Study of the main authors and classic doctrines of the philosophy of art and the theory of beauty.3.Systematic approach to the main problems of aesthetics.4.Introduction to the work of the main authors of contemporary aesthetics.
|
OPoptional |
6.00 |
A |
2second semester |
The specific course content will vary according to the content of the other optional modules offered each year.The syllabus will always involve reading and commenting on a selection of philosophical texts.The criteria guiding the selection of texts may be historic - the selected texts will belong to a specific trend of philosophical tradition - or systematic - in which case the selected texts will all deal with the same set of problems.
|
OPoptional |
6.00 |
A |
1first semester |
The specific course content will vary according to the content of the other optional modules offered each year.The syllabus will deal with one of the fundamental problems in western philosophical tradition (for example, Universals,Causality, Values, Virtue, Morality, Reality of the External World, the Ego, Justice, etc.).
|
OPoptional |
6.00 |
A |
Aannual |
The specific course content will vary according to the content of the other optional modules offered each year.The syllabus will centre around one of the philosophers or one of the fundamental trends of western philosophical tradition.The area covered by the syllabus may be limited to one or some of the most relevant problems in the period or author selected.
|
OPoptional |
6.00 |
A |
Aannual |
Introduction to the environmental and chronological framework of Prehistory, to the social, technical and economic aspects of prehistoric communities and to the basic tools for understanding their development and distribution in time and space.And this from the first hominids to the emergence of ancient civilisations.
|
OPoptional |
12.00 |
A |
Aannual |
Study of the past of humankind covering many aspects of the Middle Ages, with particular reference to the medieval history of Spain.
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
Brief overview of the common aspects that characterise the history of the Iberian peninsula, from the appearance of man on the land of the peninsula to Franco's regime, highlighting the evolution of the Hispanic kingdoms and of the Crown of Aragon, its diverse internal constitution and divergent features, as well as the social conflict, that have characterised its final development.
|
OPoptional |
12.00 |
A |
Aannual |
Subject devised for students with an interest in Ancient History, Archaeology, Anthropology, Palaeography, Diplomatics and Mediaeval History.The course design combines an introduction to material remains and the use of written historical sources and ethnographic sources as well as providing students with knowledge of the different methodologies used in the above mentioned disciplines.
|
OPoptional |
18.00 |
A |
Aannual |
Introduction to the main historiographic, current and historical trends that have shaped knowledge in historical sciences.There will be a particular focus on the currents that emerged from the 20th century, coinciding with the professionalisation of history and archaeology.
|
OPoptional |
6.00 |
A |
1first semester |
General study of the history of ancient art in the Near East, especially in Egypt and Mesopotamia.
|
OPoptional |
6.00 |
A |
1first semester |
General study of the history of ancient art in Greece and Rome.
|
OPoptional |
6.00 |
A |
2second semester |
Analysis and knowledge of architecture and image in western Europe between the 3rd and 10th centuries, Byzantine art and Islamic art.
|
OPoptional |
6.00 |
A |
1first semester |
Analysis and knowledge of architecture and image in western Europe between the 11th and 15th centuries.
|
OPoptional |
6.00 |
A |
2second semester |
General study of Art History, in its various forms, from its origins in 15th-century Italy until the end of the 16th century.
|
OPoptional |
6.00 |
A |
1first semester |
General study of Art History, in its various forms, from the 17th-century until the end of the 18th century.
|
OPoptional |
6.00 |
A |
2second semester |
General study of Art History, in its various forms, over the course of the 19th century.
|
OPoptional |
6.00 |
A |
1first semester |
General study of Art History, in its various forms, over the course of the 20th century.
|
OPoptional |
6.00 |
A |
2second semester |
Basic knowledge about sense (or nonsense) that has been attributed it to the west, working from three fundamental cores: what are signs of art like?,who is the artist?and how do art and truth relate to one another?.
|
OPoptional |
6.00 |
A |
2second semester |
Analysis and knowledge, from a historical perspective, of the main aesthetic categories with which the work of art has been thought leaving attention to the relation special among the theoretical texts in which the mentioned categories have been, theorised and the works of art or artistic practicals of the period in which the mentioned theories have been formulated.
|
OPoptional |
6.00 |
A |
1first semester |
Analysis and knowledge, from a historical perspective, of the main aesthetic ideas with which has reflected about the figure of the artist, from the Greek thought until the present, and about the theoretical problems linked to the reception of the work of art, from the appearance of the aesthetics of the taste the 17th century until the articulation of the Aesthetics of the reception the second half of the 20th century.
|
OPoptional |
6.00 |
A |
1first semester |
General study of the history of the occidental music, of the musical styles and of its contexts of production and reception.
|
OPoptional |
6.00 |
A |
1first semester |
The subject will include a diachronic look at the cinematographic movements that have thrown the classical cinema system into crisis, which the student will already have studied previously.It will focus on avant-garde cinema, documentary, postwar-Italian neorealism movements, new cinemas of the 1960s, Asian cinema and auteur film of the present day.
|
OPoptional |
6.00 |
A |
2second semester |
Subjects and reflections on architecture and urban planning, especially on the nature and ideas about architecture and urban planning in cultural history and in the present.The subject will emphasise questions related to the concepts of city and urban space and, in turn, to the formulas to materialise them over time.
|
OPoptional |
6.00 |
A |
1first semester |
This subject will include a general look at museums, both at a theoretical and practical level.More specifically, it will examine the concept of museology, the characteristics of museum site management, the management of collections, buildings used as museums and their characteristics, and the activities and uses of these centres.It will also look at museum legislation.
|
OPoptional |
6.00 |
A |
1first semester |
A study of music in various cultures in an increasingly globalised world, with a particular focus on musical traditions in Asia, Africa and Latin America and their impact on contemporary Western culture.
|
OPoptional |
6.00 |
A |
2second semester |
Study of universal visual culture through its techniques (from engraving to digital technologies) and its phenomenology.
|
OPoptional |
6.00 |
A |
2second semester |
Study of art movements of the 20th century, with a particular focus of the historical avant-garde movements and their expression in Catalonia.
|
OPoptional |
6.00 |
A |
2second semester |
Approach to armed and social conflict and their appearance in ancient art in relation to power as well as to the image of the Other.
|
OPoptional |
6.00 |
A |
2second semester |
Study of the most relevant art produced in Hispanic territories from the 9th to the 15th century.The subject will combine different journeys to observe and analyse the trajectory of works of major historical and cultural significance, as well as the processes of gestation of meaning and transfer and re-interpretation of spatial forms and structures used in ecclesiastical and civic art.
|
OPoptional |
6.00 |
A |
2second semester |
Study of the most relevant art produced in Hispanic territories in the 16th, 17th and 18th centuries.The subject will combine different journeys to observe and analyse the trajectory of the most avant-garde artists, the most creative works, but also processes of incorporating the art of depicting the various crown territories in the changing codes of representation from Renaissance Italy, or of follow-up and creative or artisan adaptation of the European avant-garde.
|
OPoptional |
6.00 |
A |
2second semester |
Art History as a scientific discipline.Artistic value, literary and documentary sources. Methodological concepts of Art History. The concept of art as heritage. Visual culture and the history of images.Treatment of gender.
|
OPoptional |
6.00 |
A |
1first semester |
Basic knowledge about the materiality of the work of art, considering production techniques (media, materials, tools), as well as representation techniques (symbolic, mimetic, visual), involved in the written nature of its signs.
|
OPoptional |
6.00 |
A |
2second semester |
Introducing the student to cultural management.Taking an in-depth look at Cultural Heritage.Establishing the reference framework of international trends in Cultural Heritage management.Management models.Spain and the autonomous communities.The management of cultural infrastructures.
|
OPoptional |
6.00 |
A |
1first semester |
Study of the different forms of use of historic and artistic heritage.Following introduction of the oldest uses of heritage (images of power, religious images, etc.),its more strictly modern senses will be examined (tourist, archaeological, monumental and landscape, market, construction of identities, etc.).The subject thus seeks to marry and emphasise fresh and current analysis of the most widespread uses of historical and artistic heritage by professionally preparing students in this field.
|
OPoptional |
6.00 |
A |
1first semester |
Study of the main contributions in the reflection and practice of art in relation to gender from an international perspective.
|
OPoptional |
6.00 |
A |
1first semester |
Studies of European artistic episodes of the 15th and 18th centuries.The subject foresees to offer several pathways through the great subjects of the periods of the Renaissance and of the Baroque.Monographs about the trajectory of the most relevant authors analysed in its context. Proposals of “regional” setting to show the general artistic panorama of a particular territory.Reflections on decisive subjects of the theory of the art, the thematic interpretation or the analysis of an artistic gender.
|
OPoptional |
6.00 |
A |
Aannual |
Historical-artistic heritage as a type of cultural heritage.When and how it began to be evaluated.Legislation of artistic heritage within the framework of the 1993 Law of Cultural Heritage established by the Government of Catalonia.Inventories and catalogues.Knowing and raising awareness of local cultural heritage.The historical-artistic route of a town.
|
OPoptional |
6.00 |
A |
2second semester |
An approach to the direction, meanings, characteristics and uses of the different types of images that proliferated in Europe throughout the Medieval period.
|
OPoptional |
6.00 |
A |
1first semester |
The structure of grammar: phonology and phonetics, morphology, syntax and semantics.Linguistic typology and universals.
|
OPoptional |
6.00 |
A |
2second semester |
Study of Latin literature.
|
OPoptional |
6.00 |
A |
1first semester |
Students will be given a basic historical and literary introduction to the main periods, works and themes of Mediaeval Romance literature, structured around the reading of a selection of works.
|
OPoptional |
6.00 |
A |
2second semester |
General, trans-history and transnational study of the literary phenomenon, with special attention to the specific nature of literary language, the constitution of literary texts, the disciplines of analysis in this field and the basic characteristics of the genres that shape literary production.
|
OPoptional |
6.00 |
A |
1first semester |
Historical and philological study of the main authors and works of the Catalan literature during XIII and XIV centuries.
|
OPoptional |
6.00 |
A |
Aannual |
Historical and philological study of the main authors and works of Catalan literature from the 15th century.
|
OPoptional |
6.00 |
A |
1first semester |
Introduction to the study of modern Catalan literature and its problems.Historical and philological study of the main stages, movements, authors and works of Catalan literature from the Renaissance and the Baroque.
|
OPoptional |
6.00 |
A |
Aannual |
Historical and philological study of the main stages, movements, authors and works of Catalan literature from the Enlightenment and the 19th century.
|
OPoptional |
6.00 |
A |
Aannual |
Introduction to the study of contemporary Catalan literature and its evolution from the end of 19th century to the end of the Spanish Civil War (1939).Historical and philological study of the main movements, authors and works of the period.
|
OPoptional |
6.00 |
A |
Aannual |
Introduction to the study of contemporary Catalan literature and its historical problems, with a particular focus on the cultural consequences of the Spanish civil war.Historical and philological study of the main stages, movements, authors and works of Catalan literature from the Post-war period to the present day.
|
OPoptional |
6.00 |
A |
Aannual |
Students will get an overview of the current reality of the Catalan language, its situation in relation to the linguistic map of Europe, its various dialects, the various legal, political and social statuses in its historical territories, the main reference materials and resources for its study.There will be a particular focus on current affairs related in some way to the Catalan language.
|
OPoptional |
6.00 |
A |
1first semester |
This subject offers a panoramic view of the history of Catalan as a literary language, starting with its shaky appearance in the 10th to 13th centuries, covering the Golden Age (14th-15th c.) and culminating in the modern age and the 19th century; in this way we cover the main historical cycles that precede and condition the contemporary fixation.This subject will include a summary description of the documented language in the different periods and also the comment and analysis of some texts with representative value.
|
OPoptional |
6.00 |
A |
1first semester |
This module focuses on the evolution of contemporary Catalan language, from the end of the 19th century, with the first normative attempts carried out under protection of the Renaissance, to its adjustment in recent times.The periods of Noucentisme, the Second Republic, the Spanish Civil War and Franco's regime will be described in this subject, and the problems arising in the current uses of the Catalan language will likewise be analysed, from a historical perspective.
|
OPoptional |
6.00 |
A |
Aannual |
The sounds of the Catalan language will be studied from an articulatory, acoustic and perceptive point of view (phonetics) and from a linguistic behaviour point of view (phonology).The main phonological phenomena affecting vowels and consonants will be shown through different formal models of phonological representation.Finally, the most relevant phenomena of prosodic phonology will be studied.
|
OPoptional |
6.00 |
A |
1first semester |
The basic aspects of the morphology of Catalan will be provided to the student.A description of the basic morphological processes (derivation, composition, and nominal and verbal inflection) will be given.The behaviour of clitics will be analysed.
|
OPoptional |
6.00 |
A |
1first semester |
A syntactic description of the Catalan language and its formal representation, as well as an analysis of the semantic and structural relations will be provided to the student.The typology of verbs and prayers, and the relations among the different lexical categories will be studied.
|
OPoptional |
6.00 |
A |
1first semester |
The module is regarded as an introduction to the Italian language and Italian literature, a third bachelor's-degree language and literature.The basic notions of use of the language oral and written, with special incidence in the communicative aspect, and aspects of the cultural context of the corresponding language, will be worked.Likewise, the fundamental notions of the history of the literature that has been chosen and to its authors more representative will be worked through the presentation and analysis of texts.
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
The module is regarded as an introduction to French language and literature, a third bachelor's-degree language and literature.The basic notions of use of the language oral and written, with special incidence in the communicative aspect, and aspects of the cultural context of the corresponding language, will be worked.Likewise, the fundamental notions of the history of the literature that has been chosen and to its authors more representative will be worked through the presentation and analysis of texts.
|
OPoptional |
12.00 |
A |
Aannual |
Diachronic study of western literary thinking from Antiquity to modern times, with special focus on schools of literary theory in the 20th century, and analysis, description and interpretation of literary texts from instruments provided by contemporary literary criticism.
|
OPoptional |
6.00 |
A |
Aannual |
Study of Latin literature.
|
OPoptional |
6.00 |
A |
Aannual |
Typological diversity and second language acquisition; the influence of the L1.The process of acquisition and the teaching of second languages (theory and practice).Analysis of Spanish and Catalan as second languages.
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
This course takes a diachronic look at the main authors , works and genres of 18th- and 19th century Spanish literature, highlighting the different aesthetics (Neoclassicism, Romanticism, Realism) or philosophy of each period (Illustration, Idealism, Positivism...),to analyse literary works from the point of view of the literary critic and as a reflection of the socio-political ideas and aesthetics of each period.
|
OPoptional |
6.00 |
A |
1first semester |
This course will examine works of different genres and aesthetics of 20th-century Spanish literature.Students will go on a diachronic journey through the different periods of the century (Modernism, Avant-Garde, the Tremendisme of the postwar period, etc.),reviewing the most significant aspects of the culture in each, seeing literary works as a reflection of each aesthetic, of the socio-political ideas of the time and the author’s personal motivation.
|
OPoptional |
6.00 |
A |
2second semester |
Panoramic itinerary of the main works and authors of Hispanic American literature, from modernism to our time, with special attention to the big figures of modern poetry and narrative.The study will be carried out through the reading of some crucial works of 20th-century Hispanic American tradition.
|
OPoptional |
6.00 |
A |
1first semester |
Mediaeval Spanish literature is studied, from its first appearances to the works that appear in the Golden Century, already in the last years of the 15th century and the first years of the 16th century.The subject is arranged into four large blocks, which deal with the main characteristics of dissemination and reception of the texts studied: literature of oral tradition (traditional poetry, epic poetry, ballads), sapient literature (from Berceo to Dom Juan Manuel), the courteous tradition (mediaeval narrative and religious poetry) and the Pre-renaissance (15th-century intellectual prose and Alcavota).
|
OPoptional |
6.00 |
A |
1first semester |
In the subject dedicated to Renaissance Spanish literature the three great literary courses will be studied, starting from the poetic renewal led by Garcilaso in his brief and inaugural work, to then analyse poets of great excellence like Francisco de Aldana, Fray Luis de León and San Juan de la Cruz.The great variety of fictional narrative that surrounds an isolated phenomenon like Pigall will be studied, to then go further into the analysis of the work and its sources.Quixote will be studied in the light of his Renaissance narrative precedents.Thirdly, the structure of comedies and the meaning of the new Art of making comedies of Lope de Vega, with a look into some of his more brilliant palatine comedies, will be studied.
|
OPoptional |
6.00 |
A |
1first semester |
In the module Baroque Spanish Literature, students will study 17th-century literature in relation to cultural changes and the new orientations of Humanism from the end of the 16th century, including a more detailed study of the main figures of the period.Thus, connecting with the subject of Renaissance Spanish Literature, the last works of Cervantes will be studied (with special attention to the exemplary novels and interludes), the Lope of maturity, the aesthetic evolution of Quevedo in fictional prose (Buscón and festive prose), poetry, theatre (interlude) and religious prose; the poetry of Góngora in its different aspects, as well as the prosaic work of Diego de Saavedra Fajardo (literary republic, political companies) and especially of Baltasar Gracián, in his inexperienced biographies (El Héroe, El discret) as well as in El criticón.
|
OPoptional |
6.00 |
A |
2second semester |
This subject present the foundations of grammatical analysis so that students can recognise the basic units of Spanish grammar by applying formal and rigorous criteria.
|
OPoptional |
6.00 |
A |
Aannual |
Description of the sound structure of Spanish.The sounds and suprasegmental elements of the Spanish language will be studied from an articulatory, acoustic and perceptive point of view (phonetics) and from the point of view of its linguistic behaviour (phonology), taking into account variation (stylistics, dialect, etc.).
|
OPoptional |
6.00 |
A |
1first semester |
This subject tackles some conflicting aspects of Spanish syntax: phenomena that have must be covered from a multidisciplinary approach in different grammatical components or questions that have aroused controversy in grammatical tradition.The basic objective is that students learn how to choose from among several alternative hypotheses and know how to argue their opinion with rigour and criteria on a certain subject.To complete this subject, students will have to have previously passed elementary syntax.
|
OPoptional |
6.00 |
A |
1first semester |
In this subject grammatical phenomena featuring in words will be covered: accent, syllabic structure, inflective and derivative morphology, composition and the parasynthesis.
|
OPoptional |
6.00 |
A |
1first semester |
Study from the grammatical point of view of the formation and evolution of the Spanish language, and of the incidence of linguistic change in phonetics, phonology, morphology, syntax, lexicon and semantics.Relation and comparison of the evolutionary processes of Spanish not only with those of the constitutive and substitutive dialects of the Spanish language, but also with peninsular and Romanesque linguistic variation in general.
|
OPoptional |
6.00 |
A |
1first semester |
Study of the history of the Spanish language and the main periods of standardisation, particularly the grammatical and lexicographic studies of the history of Spanish.
|
OPoptional |
6.00 |
A |
2second semester |
Study of the past of humankind covering many aspects from ancient times with a particular reference to the ancient history of the Iberian peninsula.
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
General introduction to the history of this period (1450-1800) and its various aspects: economy, politics, society, religion and culture.
|
OPoptional |
12.00 |
A |
Aannual |
Study of the past of humankind covering many aspects of the contemporary period, with particular emphasis on contemporary Spanish history.
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
Introduction to the History of Spain: its political-institutional, socio-economic and cultural features and their development in the modern centuries.
|
OPoptional |
12.00 |
A |
Aannual |
|
|
OPoptional |
6.00 |
A |
1first semester |
|
|
OPoptional |
6.00 |
A |
1first semester |
|
|
OPoptional |
6.00 |
A |
2second semester |
|
|
OPoptional |
6.00 |
A |
2second semester |
|
|
OPoptional |
6.00 |
A |
1first semester |
Itinerary of the instrumental module basically designed for students with an interest in modern and contemporary history.The subject combines an introduction to documentary sources - archives, bibliographies and digital sources - and to material sources of interest for historical research with the presentation of a wide range of both quantitative and qualitative analysis methodologies.
|
OPoptional |
18.00 |
A |
Aannual |
Comparative assessment of archaeology in the Mediterranean and America, with a particular focus on prehistoric societies and the original forms of nomadic and sedentary human settlements, on the one hand, and analysis of the ancient cities, on the other.
|
OPoptional |
18.00 |
A |
Aannual |
The aim of this module is to take an in-depth look at the social and economic history of Catalonia, from the medieval period to contemporary society, with a particular focus on methodological questions and comparative history.That is how the men and women of the past lived, how they obtained resources to live or how they interacted with each other.In the various blocks we will go over the main books on the subject and we will try to examine examples of sources or documents deposited in archives to give examples of the questions covered in class.
|
OPoptional |
18.00 |
A |
Aannual |
Study of political and cultural history (from the mediaeval period to the 20th century) through the analysis of cases, topics and specific and significant topics.
|
OPoptional |
18.00 |
A |
Aannual |
|
|
OPoptional |
6.00 |
A |
1first semester |
|
|
OPoptional |
6.00 |
A |
1first semester |
|
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
|
|
OPoptional |
12.00 |
A |
Aannual |
| FE |
1first semester |
Study of the economic dimension of the social and cultural demonstrations of the humanity with special attention to the understanding of the central problems of the economy from the point of view of the social anthropology.
|
OPoptional |
6.00 |
A |
2second semester |
|
|
OPoptional |
6.00 |
A |
1first semester |
This subject of comparative literature and cultural studies reflects on great canonical texts of literary criticism and some of the great cultural debates they have provoked.Aimed at students interested in literary and cultural reflection, mostly Anglo-Saxon, will analyse, from a bibliographical selection, works such as that of Francis Yates and the art of memory, Goethe and “Weltliteratur", theories of narrative fiction, Edward Saïd and post-colonial studies, etc.
|
OPoptional |
6.00 |
A |
2second semester |