Literatura dramàtica ILiteratura dramática IDramatic literature I  (3157G03045)

Study and analysis of the texts of dramatic literature.Reading and analysis of the classical texts of dramatic literature within the parameters of representation, not only in term of criteria and literary values, but also as instruments of space-time representation in an historical, cultural, political and social context.Study of the different currents of dramatic literature, understanding the theatre play as a theory of representation in time and as an indissoluble part of the history of humanity.Dramatic literature as a tool to decipher space-time interpretation codes (political, ideological and aesthetic), giving them validity in the context of the contemporary scenario.Ideological reading of a dramatic text deciphering the political, ethical and aesthetic keys of its time, which can read and understood in the current context.

Teories dramàtiques ITeorías dramáticas IDramatic Theory I  (3157G03047)

Study and analysis of theatrical signs in their rhetorical configuration, of semiology in theatre productions, of the basis of dramatic theory and how this is transferred to contemporary theatrical syntax.Study and analysis of the theories of the representation of different historical periods and their interpretative expression.

Reproducció del comportament humàReproducción del comportamiento humanoReproduction of human behaviour  (3157G03004)

A5 - Re-enactment of human behaviour.1.Theoretical basis of stage interpretation.1.1.- History of interpretation.1.2.- Techniques of the different disciplines allowing reproduction of human behaviour in different emotional states.1.3.- Philosophy and study of the human character in the performing arts.1.4.- Theatrical interpretative methods.1.4.1- Eclectic methodologies: Lecoq, Stanislavski, Lecrou 2.- Emotion and motivation on stage.2.1.- Communication processes.2.2.- Emotional language in the performance and acquisition of breathing and relaxation techniques.2.3.- Exploration of expression in the dramatic language: voice, body and emotion.3.- Improvisation.Interpretative methods and manners.3.1.- Gestures relating to improvisational techniques. 3.2.-The poetic dance: Butoh dance 4.Human behaviour reproduction workshop.

Tècniques d'interpretació de la veu i el cantTécnicas de interpretación de la voz y el cantoVoice and singing interpretation techniques   (3157G03005)

A6- Interpretation techniques of voice and song.1.- Vocal, spoken and sung techniques.1.1.- Voice techniques (modulation and declamation).1.2.- The registers of voice and their applications.1.3.- Relaxation and posture. 1.4.-Articulation 2.- Anatomy of the voice 2.1.- Respiratory system: anatomic and functional description.Organic structures of the system.Mechanism of the breath .2.2.- Phonotory system.Organ of the phonation: larynx, vocal cords.2.3.- Anatomical and functional description. 2.3.1- Digestive system: swallowing process. 2.3.2.- Articulatory system: anatomical and functional description. 2.3.3.-Resonance system: anatomical and functional description. 2.3.4.- Auditory system: anatomical and functional description.3.Breathing in singing. 3.1.- Types of breathing: nasal, mouth.3.2.- The support: location, description of the musculature relating to it: attached structures of the respiratory system. 3.3.-Respiratory phonatory coordination.3.4.- The articulation of sound and correct diction.3.5.- Understanding the mechanism of the instrument.

Tècniques d'interpretació dels llenguatges corporalsTécnicas de interpretación de los lenguajes corporalesBody language interpretation techniques  (3157G03009)

A7 - Techniques of body language interpretation.1.- Techniques of the different disciplines of body language.1.1.- Body language.(Breathing and diction). Choreography activities.Rhythm.1.2.- Fundamental concepts of the non-verbal language.(Kinesics and interpretation).1.3.- Body language (Gesture and presence).1.3.1.- Dimensions of body communication and expression. 1.3.2.- Development of the expressive capacity. 1.4.-Analysis of kinesics.Motor-expression ability. 1.4.1.- Methodological aspects.The expressive implication, the group, objects and music.1.5.- Non-verbal language and body language with respect to stage interpretation.1.5.1.-Dramatisation.Symbolic, dramatic and stage games. 2.Body language workshop.

Tècniques d'interpretació de la dansaTécnicas de interpretación de la danzaDance interpretation techniques  (3157G03010)

A8- Interpretative techniques of dance.1.History and pedagogy of dance. 1.1.- Techniques, elements and expression in dance. 1.1.1.-Classic dance technique. 1.1.2.- Contemporary dance technique.From Martha Graham to Merce Cunningham.1.1.3.-New contemporary languages 1.2.- Dance, body expression. 1.2.1.-Improvisation and choreographic composition. 1.2.2.-Contact - Improvisation. 1.3.- Study of the different disciplines. 1.3.1.-Study of the Laban-Bartenieff movement. 1.3.2.- Understanding the changes in the language of dance.From Nijinsky to Pina Bausch.2.Anatomy, Biomechanics.Dialogues of the body.2.1.- Analysis of the movement. 2.2.- Current trends.2.3.- Interpretation and staging.3.- The art of dance and its relation to the visual arts.3.1.- Dance and the cinema.3.2.-Making dance suitable to other means of communication.3.3.-Music and dance.4.- Choreography workshop.

Àmbit de creació IÁmbito de creación IField’s project I  (3157G03049)

Course which consists of a group staging project, guided by a teacher, taking the role of stage director: ideological reading of the text, approach and specification of the technical and performance needs, rehearsal, repetition and physical training and justification of the aesthetic and ideological options chosen.Determining technical staging and production needs.The piece will be chosen from the body of work that stretches from the beginnings of script writing up to the 18th century.

Literatura dramàtica IILiteratura dramática IIDramatic literature II  (3157G03046)

Study and analysis of the fundamental texts of universal dramatic literature as instruments of representation in a historical, cultural, political and social context.Study of the literary values and he different literary currents that frame these texts and their significance as codes for interpreting the ideological, aesthetic and political ideas of each period.

Teories dramàtiques IITeorías dramáticas IIDramatic Theory II  (3157G03048)

Study and analysis of theatrical signs in their rhetorical configuration, of semiology in theatre productions, of the basis of dramatic theory and how this is transferred to contemporary theatrical syntax.Study and analysis of the theories of the representation of different historical periods and their interpretative expression.Further study.

Àmbit de creació IIÁmbito de creación IIField’s project II  (3157G03050)

Collective staging project, guided by a teacher, taking the role of stage director: ideological reading of the text, approach and specification of the technical and performance needs, rehearsal, repetition and physical training and justification of the aesthetic and ideological options chosen.Determining technical staging and production needs.

Àmbit de creació IIIÁmbito de creación IIIField’s project III  (3157G03051)

Course consisting of a collective staging of a musical, guided by a teacher, working as stage director: ideological reading of the text (or score), approach and specification of technical and performance needs and their particular musical and choreographic features, rehearsal, repetition, physical training and justification of the aesthetic and ideological options chosen.Determining technical staging and production needs.

Dramatúrgia teatralDramaturgia teatralTheatre dramaturgy  (3157G03012)

A13.- Theatre dramaturgy.1.Dramaturgy and playwrights.1.1.- Definition and concepts.Scope of dramaturgy in the artistic narrative methods: similarities and differences.1.2.- Other dramaturgy: concept of performance and historical and spatial diversity in its various forms.Traditional Eastern theatrical forms.The Indian drama-dance: the drama summary of the Natya-Sastressa.Chinese traditional dramatic literature.Japanese dramaturgy: the Noh and the Kabuki.Other oriental dramaturgy.Concepts of performance in Africa, Oceania and pre-Colombian America.2.Dramatic action.2.1.- Basic mechanisms in dramatic action.2.2.- Shakespeare and the use of duel plots in English theatre.The break from conventional dramatic narrative in Büchner and Chekhov.The deconstruction of action in contemporary theatre.3.The construction of the character. 3.1- Representation elements of the character: speech and action.Concepts of the protagonist and antagonist.Character types in the development of Western dramaturgy. 3.2.- Character and actor: Stanislavski’s theories.

Bases de l'escenotècniaBases de la escenotecniaStagecraft basics  (3157G03013)

A.15.- Basis of stage techniques. 6 credits - Second year course Type: Compulsory branch; Arts and humanities 1.Introduction to stage techniques. 1.1.- Origins of the theatre’s architectural structure.1.2.- Theatre and audiovisual scenography. 1.3.- Historic development of scenography and its relationship with theatre architecture.1.4.- Theories of contemporary scenography.1.5.- Brief history of lighting.1.6.- The language of the theatrical wardrobe: Wardrobe, masks, props and furniture with stage symbolism.2.Profession and technique of the visual arts applied to scenography: 2.1. Theatrical shows: Scenography.2.2. Cinema: Cinematographic filming.2.3.The staging: Lighting, Wardrobe, Sound, Make-Up, Carpentry, Props.2.4.- Stage effects and item handling.2.5.- Photography: production and setting processes.photographic creation processes.

Expressions de la cultura contemporàniaExpresiones de la cultura contemporáneaExpressions of contemporary culture  (3157G03014)

"Description: this module concentrates on the cultural movements that have defined events from the beginning of modernity to present, i.e. from World War II to today.Its objective is enter into the meaning of aesthetic productions, relating to the historical, political and social context, through several artistic creations that appeared in every period.As such, the existing discussions encompassing culture, productions and the interconnection of senses are confronted.main subjects 1. Video creation.1.1.- Before video art.Technological, aesthetic and cultural aspects.1.2.- From music/action in Fluxus movement videos.1.3.- Video: social and political retort to 60s and 70s counter culture.1.4.- Video in the 80s: Video clips, closed circuits and installations.1.5.- Video in the 90s: From multichannel to the transgression of the limits of space.1.6.- Video graphic creation in Spain: From "Primera mort" (1969) to "Cacotopía" (2011) 1.7.- Art on the web: 1.7.1.- History and pioneers of the medium.

Àmbit de creació IV: Creació audiovisualÁmbito de creación IV: Creación audiovisualField’s project IV: Audiovisual creation  (3157G03015)

A12 - Creation IV: Audiovisual creation 1.Introduction to the audiovisual creation: Origins and history, current references and analysis of audiovisual creation works.1.1.- Cinema. 1.2.-Television. 1.3.-Advertising. 2.- Interpretation 2.1.- Approach and realisation of the technical and interpretative needs to the chosen text and its audiovisual particularities.2.2.- Specialisation of interpretation in the audiovisual area.3.- Audiovisual dramaturgy.3.1.- Basic concepts.3.2.- Ideological reading of theatrical text and its dramatic functioning.4.- Direction 4.1.Justification of the aesthetic and ideological processes of the setting of the audiovisual creation text chosen by the teacher.4.2. Specific nature of directing in audiovisual creation.5.- Stage techniques. 5.1.- Applications and realisations of setting, acoustics and visuals of the staging of the chosen text.5.2.- Characteristics and examples of settings in Audiovisual Creation.6.Audio production

Dramatúrgia audiovisualDramaturgia audiovisualAudiovisual dramaturgy  (3157G03016)

A14.- Audiovisual dramaturgy 1.1.Introduction: the cinematographic narrative. 1.1.Narrative structure 1.2 The classical paradigm 1.3.Structures in acts. 1.4.Genre: .-Thematic models .-Other models of representation 2 The narrative models 2.1.Long, short, television, documentary and others.2.2.Script formats. 2.3.Step outlines and development. 3.Process of script development. 3.1.Narrative premises 3.2.Structure. 3.3.Defining characters. 3.4.Development and step line. 3.5.The scene: conflict, climax and resolution.3.6.Dialogue 3.7.Literary script 4.Factors of fiction (applied to the script for student to develop). 4.1.Topic. 4.2.Narrative instance. 4.3.Characters. 4.4.Plot. 4.5.Timeline. 4.6.Space. 4.7.Rhythm and tone. 5.Narrative strategies (applied to the script for student to develop). 6.Model stories, scripts and scriptwriters. 7.The documentary.

Tecnologies emergents aplicades a l'escenotècniaTecnologías emergentes aplicadas a la escenotecniaEmerging technologies applied to stagecraft  (3157G03017)

A.16. Emerging technologies applied to scene techniques -6 credits- Third year course. Type: Compulsory branch; Arts and humanities 1.- Methodology and development of the scene.1.1.- Definition and concepts of lighting.1.2.- Use of visuals, sound, interaction and special effects depending on the artistic creation. 1.3.- New technologies: Sound, video, lighting, forms of stage space, application of construction techniques.1.4.- Latest technological advances applied to the performing arts.2.- Introduction to the concepts in a transmedia world.2.1. Music applied to the scene. 2.2. Interactivity applied to the scene. 2.3.Creativity applied to scene technology: mental maps, brainwriting and other.2.4. Robotics applied to the scene.Man-machine interaction.

Direcció d'actorsDirección de actoresActor direction  (3157G03018)

1.Theatrical direction: Construction of the character.1.1.-The work of the director.1.2.-Definition of the characters.1.3.- Types of interpretation.1.2.- Analysis applied to the dramatic text.1.3.- Screened examples in the direction of actors.1.4.- The actor-director relationship: synthesis examination.1.5.- Dramatic action units.2.Cinema direction: Construction of the character.1.3.-The work of the director.1.2.- Definition of the characters. 1.3.- Types of interpretation.1.4.- Analysis applied to the cinematographic text.2.1.- Screened examples in the direction of actors.2.2.- The actor-director relationship: synthesis examination.2.- Dramatic action units.

Interpretació escènica: llenguatge corporalInterpretación escénica: lenguaje corporalScenic Interpretation: body language  (3157G03021)

-A20- stage interpretation: Body language - 6 credits Third year course Type: optional 1. Comprehensive study of the actor and his/her relation with stage space.1.1.-The actor and the camera. 1.2.- Research and body development. 1.3.- Integration of the body in motion and the stage space.2.Types of representation of body movement and its expression in the performing arts.3.- Body expression workshop.4.- Laboratory of body language creation, learning of methodologies.5. - Viewing of works.

Interpretació escènica: comportament humàInterpretación escénica: comportamiento humanoScenic Interpretation: human behaviour  (3157G03022)

-A21- stage interpretation: human behaviour - 6 credits - third year course Type: optional 1.Methodologies applied to the visual communication and stage expression.1.1. - Work methodologies.The practice of the gesture. 1.2.- Psychology applied to the stage space.2.Sociocultural anthropology.The syncretism of the African cultures and its influence on the Western culture.2.1.- Work of techniques in primitive dance: the union of body, time and space.3.- Human behaviour workshop.4.Laboratory for experiments with gesture.5. - Viewing of works.

Direcció escènica: metodologia i desenvolupament del projecteDirección escénica: metodología y desarrollo del proyectoStage direction: methodology and project development  (3157G03027)

A26 - Stage direction: methodology and development of the stage project.-6 credits - Third year course Type: Optional 1.Staging: from text to the stage.1.1.- The planning and management of the stage.1.2.- Rehearsals and functions in the stage project 1.3- The technical script. 1.4.- Processes in the creation and development of shows 2.Stage manager.2.1.- Fundamental tools for the development of the stage manager.2.2.- Direction and coordination of technical and artistic teams.2.3.- Planning: technical planning, documentation, team work and work processes.

Escena en espais públicsEscena en espacios públicosPublic Spaces Performance  (3157G03032)

Study of the public space as driver of the staged story.Movement, word and space.The specific location, the big event and the headliner.Stage and community.

Interpretació escènica : Dansa IIInterpretación escénica: Danza IIActing: Dance Techniques II  (3157G03033)

Extending understanding of the body through movement.Study of the body as a creative tool.Application and development of the composition.

Interpretació escènica : Veu IIInterpretación escénica: Voz IIActing: Voice Techniques II  (3157G03034)

Theoretical and practical study of the spoken voice technique, diction, projection and anatomy of the voice.

Tecnologies audiovisualsTecnologías audiovisualesAudio-visual technologies  (3157G03035)

Study of the different technologies relating to audiovisuals as a supplement to understanding live staging.The subject has the objective of providing students of the performing arts with specific knowledge of the technical aspects in the handling of sounds and images.

Direcció d'ArtDirección de ArteArt Direction  (3157G04051)

The aim of this course is to understand art direction and to conceptualise a project, both visually and graphically by applying artistic strategies until the formal project proposal takes shape.

Vestuari d'escenaVestuario de escenaStage costume  (3157G03052)

Dramaturgy and staging. Stage action analysis (Text - characters).Concept of characterisation. Concept of set design and props - Coordination with other technicians (set design, lighting, etc.).Documentation and inspiration. Show styling - Harmony, aesthetic coherence and functionality. Theatrical costume design. Figurism in film, TV and advertising. Printing techniques and special effects.

Gestió i Producció TeatralsGestión y Producción TeatralesManagement and theatre productions  (3157G03028)

Study of the supervision of all the aspects relating to the overall production of the work.The relationship of the production with the technicians and director.Study of the legal, economic and corporate environment with special attention to fund-raising.Also included is the management of cultural equipments as new area in the management of performing arts.Main topics 1.- Legal framework for stage productions.1.1.Law and copyright 1.2.General society of authors and editors. 1.3 Legal framework and current legislation. 2. - Legislation and economics: institutionality applicable to stage creations.Grants and subsidies for creative works.3.- Stage production: 3.1.public production 3.2.private production 3.3.public-private production 3.4.Administrative and artistic teams. 4. The creation of a producer.5.Company management and direction.5.1. Fund-raising from public and private sources.5.2. Budget preparation.5.3. Human resources.5.4. Marketing and dissemination of the performing arts: Knowledge of the product and practical requirements.5.5. Cultural equipment management.

Seminaris complementarisSeminarios complementariosExtra seminar  (3157G03036)

Con este módulo pretendemos introducir al alumno, ante las posibilidades y opciones que puede ofrecerle el futuro profesional.Ante el reto de convertirse en futuros profesionales de las artes escénicas, queremos ponerle en conocimiento de todas aquellas herramientas y plataformas técnicas del momento.Este módulo se divide en tres grandes bloques: Por una parte queremos dar a conocer a los estudiantes nuevas salidas profesionales.En segundo lugar, queremos formarles en las últimas tendencias y las últimas tecnologías en el panorama de las artes escénicas.Para finalmente invitar a profesionales en activo que ayuden a nuestros estudiantes a traves de su experiencia a descubrir cual puede ser su sitio en el mercado laboral.Principales contenidos 1.El mercado laboral en las artes escénicas.Nuevas salidas profesionales.1.1.- Agentes ocupacionales: gestión de empleo, estructura de los mercados profesionales, oferta y demanda.Propuestas y acciones.1.2.-Hacia la creación de profesionales en el sector de las artes escénicas.1.3.-Conocimiento del mercado profesional.Como conocer y crear nuestro perfil y objetivos profesionales.1.4.-Aprendizaje y I use correcto

PràctiquesPrácticasPractices  (3157G03037)

Treball final del grauTrabajo final del gradoFinal project  (3157G03031)

Seeing annex chapter 5 http://ca.eram.cat/serveis/gae/distribucion_plan.pdf

Direcció d'actorsDirección de actoresActor direction  (3157G03018)

1.Theatrical direction: Construction of the character.1.1.-The work of the director.1.2.-Definition of the characters.1.3.- Types of interpretation.1.2.- Analysis applied to the dramatic text.1.3.- Screened examples in the direction of actors.1.4.- The actor-director relationship: synthesis examination.1.5.- Dramatic action units.2.Cinema direction: Construction of the character.1.3.-The work of the director.1.2.- Definition of the characters. 1.3.- Types of interpretation.1.4.- Analysis applied to the cinematographic text.2.1.- Screened examples in the direction of actors.2.2.- The actor-director relationship: synthesis examination.2.- Dramatic action units.

Interpretació escènica: llenguatge corporalInterpretación escénica: lenguaje corporalScenic Interpretation: body language  (3157G03021)

-A20- stage interpretation: Body language - 6 credits Third year course Type: optional 1. Comprehensive study of the actor and his/her relation with stage space.1.1.-The actor and the camera. 1.2.- Research and body development. 1.3.- Integration of the body in motion and the stage space.2.Types of representation of body movement and its expression in the performing arts.3.- Body expression workshop.4.- Laboratory of body language creation, learning of methodologies.5. - Viewing of works.

Interpretació escènica: comportament humàInterpretación escénica: comportamiento humanoScenic Interpretation: human behaviour  (3157G03022)

-A21- stage interpretation: human behaviour - 6 credits - third year course Type: optional 1.Methodologies applied to the visual communication and stage expression.1.1. - Work methodologies.The practice of the gesture. 1.2.- Psychology applied to the stage space.2.Sociocultural anthropology.The syncretism of the African cultures and its influence on the Western culture.2.1.- Work of techniques in primitive dance: the union of body, time and space.3.- Human behaviour workshop.4.Laboratory for experiments with gesture.5. - Viewing of works.

Direcció escènica: metodologia i desenvolupament del projecteDirección escénica: metodología y desarrollo del proyectoStage direction: methodology and project development  (3157G03027)

A26 - Stage direction: methodology and development of the stage project.-6 credits - Third year course Type: Optional 1.Staging: from text to the stage.1.1.- The planning and management of the stage.1.2.- Rehearsals and functions in the stage project 1.3- The technical script. 1.4.- Processes in the creation and development of shows 2.Stage manager.2.1.- Fundamental tools for the development of the stage manager.2.2.- Direction and coordination of technical and artistic teams.2.3.- Planning: technical planning, documentation, team work and work processes.

Escena en espais públicsEscena en espacios públicosPublic Spaces Performance  (3157G03032)

Study of the public space as driver of the staged story.Movement, word and space.The specific location, the big event and the headliner.Stage and community.

Interpretació escènica : Dansa IIInterpretación escénica: Danza IIActing: Dance Techniques II  (3157G03033)

Extending understanding of the body through movement.Study of the body as a creative tool.Application and development of the composition.

Interpretació escènica : Veu IIInterpretación escénica: Voz IIActing: Voice Techniques II  (3157G03034)

Theoretical and practical study of the spoken voice technique, diction, projection and anatomy of the voice.

Redacció i desenvolupament del guió Redacción y desarrollo del guión Writing and development of script   (3157G04036)

Elaborating and to write with fluency texts or scripts in the fields of the cinematographic, television, videogràfica fiction or multimedia.The basic parameters of the analysis of audiovisual works are attended, considering the iconic messages texts and products of the sociopolitical conditions and culturaes of a determinate historical period.071.Cinematographic story 072.Structural elements 073.Characters 074.Architecture of narrative speech 075.Exhibition and information 076.Dialogues

Tecnologies audiovisualsTecnologías audiovisualesAudio-visual technologies  (3157G03035)

Study of the different technologies relating to audiovisuals as a supplement to understanding live staging.The subject has the objective of providing students of the performing arts with specific knowledge of the technical aspects in the handling of sounds and images.

Direcció d'ArtDirección de ArteArt Direction  (3157G04051)

The aim of this course is to understand art direction and to conceptualise a project, both visually and graphically by applying artistic strategies until the formal project proposal takes shape.

DiccióDicciónDiction  (3157G03040)

Work specific to Catalan and Spanish dictions.

Arts escèniques aplicadesArts escénicas aplicadas Applied arts  (3157G03041)

Subject area centred in the transformational capacity of the performing arts in contexts of health, education and persons at risk of social exclusion.

Arts del circArtes del circoCircus arts  (3157G03042)

Theoretical journey through the history of the circus, putting emphasis on clowns.

Teatre d'objectes i titellesTeatro de objetos y títeresObjects and Puppets Show  (3157G03043)

Practical subject area centred on the theatre of objects and puppets.

Interpretació avançada davant la CàmeraInterpretación avanzada ante la CámaraAdvanced interpretation in front of the Camera  (3157G03044)

Development of performance techniques before advanced cameras.

Vestuari d'escenaVestuario de escenaStage costume  (3157G03052)

Dramaturgy and staging. Stage action analysis (Text - characters).Concept of characterisation. Concept of set design and props - Coordination with other technicians (set design, lighting, etc.).Documentation and inspiration. Show styling - Harmony, aesthetic coherence and functionality. Theatrical costume design. Figurism in film, TV and advertising. Printing techniques and special effects.