Born
in Barcelona, he obtained a Bachelor of Music Degree (B.M., 1981) and a
Master’s Degree in Music (M.M., 1983) in piano (with Professor Luiz de
Moura Castro) from the Hartt School of Music, University of Hartford,
and a Doctorate (PhD) in Musicology from the Graduate School, The City
University of New York, CUNY (1992), in the USA, where he lived for
twenty years. His Doctoral Thesis (supervised by Allan W. Atlas) on a
musical manuscript from the Renaissance received the Barry S. Brook
Award 1992. He has been Lecturer in the History of Music at Brooklyn
College (The City University of New York, 1986-1992) and Boston
University (1993-1998), where he directed the Collegium Musicum. He has
worked on international projects on bibliography (RILM Abstracts),
musical iconography (RIdIM/RCMI), French opera (Pendragon Press)
and Latin American music, promoted by the Barry S. Brook Center for
Music Research and Documentation of the City University of New York,
where he became Associate Director (1992-1993). His research lines have
primarily focused on musical manuscripts and libraries in the 16th
century and the historiography of Spanish music; he has published in Revista de Musicología, Early Music, Early Music History, The New Grove Dictionary and Die Musik in Geschichte und Gegenwart,
amongst others. In 2001 he obtained the BBVA Visiting Fellowship of the
University of Cambridge as a visiting researcher at the British
university; in 2003 he received the University of Granada Award for
Research Works of Excellence. Emilio Ros-Fábregas is Head of the
Musical Patronage in Andalusia and its Influence in America (HUM 579)
Research Group of the University of Granada, subsidised by the Regional
Autonomous Government of Andalusia, and has taken part in R&D
projects of the Ministry of Education and Culture (1998-2001) and of
the Ministry of Science and Technology (2003-2006).
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- Ros-Fábregas, E., Ford, T., et al. (eds.)
(1988). Inventory of Music Iconography, no.
3: Medieval and Renaissance Manuscripts at the Pierpont
Morgan Library. New
York: Research
Center for Musical Iconography
(RIdIM/RCMI)
- Ros-Fábregas, E. (1992).
The Manuscript Barcelona,
Biblioteca de Catalunya, M.454: Study and Edition in the Context of the Iberian
and Continental Manuscript Traditions, 2
vols., Tesi Doctoral, Ph. D., The Graduate School, The City University of New
York. Accessible at: http://www.umi.com
- Ros-Fábregas, E. (1995). "Music and Ceremony during Charles V's 1519 visit
to Barcelona", Early Music, XXIII/3, pp.
374-391
- Ros-Fábregas, E. (1997). "La Biblioteca Musical de Federico Olmeda
(1865-1909) en la 'Hispanic Society of America' de Nueva York", Revista de Musicología, XX/1, pp. 553-570
- Ros-Fábregas, E. (2002). "The Cardona and Fernández de Córdoba Coats of Arms
in the Chigi Codex", Early Music
History, 21, pp. 223-258
- Ros-Fábregas, E. (2007). "Script and Print: The Transmission of Non-Iberian
Polyphony in Renaissance Barcelona", Music,
Print and Culture in the Iberian Peninsula during the Renaissance.
Kassel: Reichenberger, pp. 299-328
- Ros-Fábregas, E. (2007). "Cristóbal de Morales: A Problem of Musical
Mysticism and National Identity in the Historiography of the Renaissance", Cristóbal de Morales 'The Light of Spain in Music':
Sources, Influences, Reception. Woodbridge: The Boydell Press, pp.
215-233
- Ros-Fábregas, E., and Gembero, M. (eds.) (2007). La música y el Atlántico. Relaciones musicales entre
España y Latinoamérica. Granada: Universidad de Granada
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